Callbacks are posted on the Palace website. MAN IN CHAIR & OTHER CHARACTERS SIDE // MIC & OTHERS SIDE TRACKĬallbacks will be in person on Tuesday, March 8 by invitation only from 6:30 to 10 pm on the Springer Stage. Please choose a side from below to perform for your initial audition or sing the MAN IN CHAIR & OTHER CHARACTERS side. As this show can be performed without an ensemble, no ensemble side will be provided. Tracks will be used for all initial auditions. If you don’t own jazz shoes, please bring comfortable sneaker type shoes you’re able to move in.Īuditions will consist of singing one or two selected vocal sides from the show. Auditioners will need to bring jazz and/or character and tap shoes. A dancing audition is required for all performers. Please wear something comfortable to dance in that will not get into the way of your movements – Courtney has requested that you don’t wear jeans to the dance call. Some dancers will be asked to stay after for a more elaborate dance audition combination. Non-binary can choose their dancing slot based on the role that they are auditioning for. Men will dance at 6:30 pm and women will dance at 7:45 pm. Monday, March 7 will be dance/movement auditions on the Springer Stage from 6:30 pm-10:00 pm. We are seeking talented performers of all ethnicities for all roles in this production, ages 15 and up.Īuditions will be held on the Springer Stage on Sunday, Mafrom 6:00 pm-10:00 pm. ![]() We’re looking for talented and diverse performers who will have a lot of fun bringing this incredible musical to life. The Georgetown Palace announces auditions for our Springer Stage production of The Drowsy Chaperone. The production is scheduled to open Friday, Jand close on Sunday, July 3, 2022. Winner of five Tony Awards, including Best Book and Best Original Score, The Drowsy Chaperone is a loving send-up of the Jazz Age musical, featuring one show-stopping song and dance number after another. Hailed by New York Magazine as “The Perfect Broadway Musical,” The Drowsy Chaperone is a masterful meta-musical, poking fun at all the tropes that characterize the musical theatre genre. ![]() Mix in two lovers on the eve of their wedding, a bumbling best man, a desperate theatre producer, a not-so-bright hostess, two gangsters posing as pastry chefs, a misguided Don Juan and an intoxicated chaperone, and you have the ingredients for an evening of madcap delight. The recording comes to life and The Drowsy Chaperone begins as the man in the chair looks on. With the houselights down, a man in a chair appears on stage and puts on his favorite record: the cast recording of a fictitious 1928 musical.
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